About Robert Ames
Robert Ames is a conductor, curator and composer. As a conductor, curator and arranger, Robert Ames has been a key exchange agent between the classical tradition and contemporary music. Robert works closely with many of the leading figures in new music including Philip Glass, Hildur Guðnadóttir, Bryce Dessner, Mica Levi, Nico Muhly, Richard Reed Parry, Meredith Monk, Terry Riley, Jonny Greenwood, Anna Meredith and Steve Reich. Recent collaborations include Vivienne Westwood, Nike and Alexander McQueen from the world of Fashion and with musicians who inhabit the pop/ electronic and film music world, including Taylor Swift, Actress, Frank Ocean, Jonsi, Little Simz, Alex Somers, Thom Yorke, Justice, Kelly Lee Owens, William Basinski, Jed Kurzel, Jamie XX, Olafur Arnalds, Owen Pallett, Darkstar, Radiohead, Rival Consoles and Labrinth. Recent Conducting engagements include performances at The Royal Festival Hall, Barbican Centre, Royal Opera House, De Doelen, The Brooklyn Academy Of Arts, Philharmonie De Paris and The Sydney Opera House, as well as four appearances at the BBC Proms in the last three years. Robert has worked with many of the world’s leading orchestras including the Rotterdam Philharmonic Orchestra, Philharmonia Orchestra, BBC Concert Orchestra, L’Orchestre National De Lyon, BBC National Orchestra of Wales, Scottish National Orchestra, Royal Liverpool Philharmonic orchestra, Manchester Camerata, Moscow New Music Ensemble and Aarhus Symphony Orchestra.
About Ben Corrigan
Ben hails from Carlisle, Cumbria in the North West of England at the foot of the Pennines. A teen metalhead, he came to London in 2010 to study composition at Trinity Laban in Greenwich. At music college he discovered the joy of electronic music and experimented with ways to combine that with acoustic forces. Ben has worked with Robert Ames and the London Contemporary Orchestra, orchestrating and arranging for films (Honeyboy, True History of Ned Kelly Gang), concerts (Riceboy Sleeps, Erased Tapes X LCO, William Basinski) and recordings. In TV, he’s done additional composition for Isobel Waller-Bridge, sound design and synth programming for her Black Mirror score, and more recently been the music editor for composer Anne Nikitin’s score on the BBC Pale Horse series. Ben has a music podcast called excuse the mess (which won Bronze in the Best Arts & Culture category at the British Podcast Awards in 2019) -where he interviews other composers and then writes a piece together using just one instrument and electronic manipulation. The listener follows the whole composition process.